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Artworks as rapidly influenced conventionalist meanings and relevance of different art forms and dealings. Its main focus is on historical behaviors /characteristics with dealings of broader overview of aesthetic properties that are more of traditional and also relates to art pan-cultural works.
As a method of scholarly research the science of iconography strives to represent convection thought through expression and recovering. Iconographical definition is mostly dependent on motifs. This is possible mostly where symbols are represented in the convection.
First on Pablo Picasso, Les Demoiselles d'Avignon, Picasso began a painting, "Les Demoiselles d'Avignon" which he painted at the beginning of 1907. The painting consisted of a scenery of prostitutes who were five in number and student and sailor who were men dressed up skimpily, it portrays more of a brothel scene. Picasso painting was of a differing value where the outer outlook of facial expressions was terrifying and of lustful impressions.
Picasso portrays sexual anxiety and behavior all around the painting, in his painting he is influenced greatly by sculptures in the prehistoric times that he saw during his frequent summer holidays and of his visits to different part of the world. He expresses lust through his paintings and ensures that the systematic body posture assist in the well appearance of sexiness.
In the painting Les Demoiselles d'Avignon, there is an element of cubism which is a characteristic of human figure where one is able to view the physical body with different view point and his able to make judgmental inspiration and increase a sense of object independency. The painting of the portrait Les Demoiselles d'Avignon, inspiration came from different directives which assisted in featuring cubism with its roots on African art. Picasso art of époque negre, with an African history has been seen to overlap element of cubism and thus at the end it advances to a more unique aspect of being a product of analytical cubism.
Roberta Cau was an Italian painter who peculiar artistic expressions were through the painting to oil, which she inherited from her father. The painting "SensualitÃ" of a female in her natural beauty, was painted by Roberta. She made the subject of her painting to be the body of the beautiful woman. Roberta deal was mostly with the natural phenomena of beauty that surround and entails a woman; she honored her historical well being of his subject and made sure that she had transferred her intuition and feelings of the texture and the bodily shape. Roberta main aim was the natural beauty of the female body and the actual feel of honour of female body beauty.
In the Roberta's figurative paintings SensualitA, the theme of the painting was to depict the natural beauty of a female body as in comparison to painting Les Demoiselles d'Avignon, which also subjected woman body into beauty perception. There is an element of dignity in the two paintings and mostly due to result of well contextual approach and similarities between the two painters on paintings theme, in both the theme is well executed and all consider a comparative nature of subjection of woman body, which they both appreciate thus entailing an element of dignity.
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Also in comparison to Pablo Picasso, Les Demoiselles d'Avignon, and Roberta Cau SensualitÃ", both painters had a balance of colors' on canvas and they both had a good artistic style of offloading colors. Roberta also had an element of adding beauty to the female figure which she embeds a good signature.
Roberta has also succeeded in injecting an element of dignity which is in contrast with the painting of Les Demoiselles d'Avignon which makes an element of dignity less useful. She entailed majorly on the blue colour which represented an element of dignity and also as a big source of peace of mind. The reddish colour in the painting of Pablo Picasso represents element of sexuality and urge for lustiness.
Roberta had also an element of communication and informing the mass through message from his paintings. In the painting sensuality the message was supposed to be in situation where the viewer does not find lust in it but be looked at as a God-gifted beauty which is in contrast with the painting of Les Demoiselles d'Avignon, which has an essence of lust and admiration of woman beauty.
In contrast to Pablo Picasso, Les Demoiselles d'Avignon, Roberta has thoughtful inspirations on the paintings that have been of naked female bodies. She takes the whole picture of female body as an artistic ideal project that honours the woman body. This is in contrast to the other painting of Pablo Picasso which only concentrates on lustfulness as seen on the naked prostitute's women at the brothel. In Roberta paintings women are not looked at as mere beings or object of attraction but as a symbol of beauty and as a good outlook of naked woman body.
Roberta Cau, SensualitÃ has a more dynamic view of the whole dignity concept and he is more acceptable than the strong undercurrent of sexual anxiety expressed by on Pablo Picasso, Les Demoiselles d'Avignon. The paintings have different colors value that assist in differentiating the meanings and importance of identifying motifs central to iconographical interpretation. In this context we can conclude that SensualitÃ, as a more rounded up value of formal properties as in contrast to Les Demoiselles d'Avignon.
In the paintings, the main theme that was being applied was the female figure in which the artists did a clear repetition on various paintings. The artists started painting the figures of women often in their early 1940s and they have been able to do so again. Women in the paints are often portrayed in an almost graffiti like style, with large, vacuous eyes, huge breasts, toothy smiles and claw-like hands that are normally set in line with the colorful layers of significant paint.
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